Engagement

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Left: Coordinators meeting at an oxbox in the river. Right: With corn growing on the left, the wildflowers in the filter strip provide valuable habitat, as well as filtering runoff from the fields. Images courtesy of Mollie Aronowitz.
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Collaboration for a Common Goal

We seek to tell a story that demonstrates how combining a common goal with compromise and deliberate action leads to creative solutions and meaningful progress. Our professional backgrounds and experiences are diverse—our group includes a professional land manager, a clean water policy attorney, a conservation agronomist, and a municipal watershed manager. Through each of our personal stories, we will share examples of action-oriented strategies for improving the quality of Iowa’s land and water.

'TWEED: Border Ballads' courtesy of Tania Kovats
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TWEED

The River Tweed speaks instantly of borders, of unity and division, but also of warp and weft, telling us much about its shapeshifting character. This living marker of national meanings and historical boundaries flows eastwards 97 miles from the Lowther Hills to Berwick-upon-Tweed, descending 1,440 feet over that length. Its source rises 40 miles north of Scotland’s westernmost border with England. The river enters the sea two miles south of the border’s easternmost point. There is a ring of geological predestination to this bordering identity. It’s as if the Tweed exists as a sturdy trace of the ocean that separated Scotland and England 520 million years ago…

The Twelve Jing Xiakou, a real scene, Taishan Shigandang. Image courtesy of Jiao Xingtao.
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Professor Jiao Xingtao and The Yangdeng Art Cooperative Project

The Yangdeng Art Cooperatives, with a cumulative total of more than 37 artists and students, worked each year in collaboration with local villagers in the small rural village of the same name as the river, Yangdeng, in a remote rural area of Tongzi County in Guizhou Province. Organized and led by Professor Jiao Xingtao, this project, over many years, was begun to “reconstruct the continuity between art and life” through an emphasis on “artistic negotiation.” As such, it constitutes a socially engaged art initiative, locating this remote rural village sited on a river as the experimental art locus for approaching an independent but profoundly collaborative working method…